Pennine Lines w/c 23 September 2024
The culture of considering bouldering as only being worthy as training for routes persisted well into this century, and it carried over into indoor climbing too. In fact it wasn’t until the mid to late 2000s that you could turn up at an indoor wall as a beginner and do any beginner-level or easy bouldering at all. It just wasn’t catered for. The easier climbing was on ropes, and that was that. In retrospect this was odd, but it just reflected the prevailing trends at the time. Bouldering was supposed to be hard, to be training, you were supposed to serve an apprenticeship of “proper” climbing on ropes. You weren’t really supposed to do bouldering to the exclusion of all else.
Pennine Lines w/c 2 September 2024
Let’s not linger on the fading daylight hours, that’s a given, but at this time of year there’s space to imagine if it’s going to be one of those vintage autumns. Cool and dry, the gritstone feeling crisp under the skin after the sweaty grind of summer, shoe rubber feeling sticky, and the limestone crags staying dry well into November. Confidence running high, momentum building, and maybe a few long-term projects will fall? We must be due a good ‘un after the last couple of warm and damp autumns. Last year in particular was terrible but I’m determined to not look back in anger.
Pennine Lines w/c 21 august 2023
‘Stuff’ - each item in of itself relatively benign; each one to solve a problem, to make things easier. To enhance performance. But in another way each one contributes to creating a problem, to changing the experience, diluting it, getting in the way of what’s good about bouldering in the first place - the simplicity. And suddenly five boulderers plus all their gear and pads would no longer fit into a Nissan Micra.
Pennine Lines w/c 14 august 2023
As I mention once or twice in Grit Blocs, in the world of gritstone bouldering we tend to look up to Fontainebleau; we borrow Font grades, and we use ‘Font style’ as the highest accolade we give to a problem. But the weird thing about British climbing’s relationship with Font is our tendency to characterise the climbing there as being exclusively rounded topouts on rippled slopers, reducing it to a stereotype and ignoring the wealth of climbing styles on offer. Font is in fact pretty well equipped with savage crimpy walls, horrendous cracks, tendon-snapping pocket pulling, steep basic pulling, one-movers, long stamina problems, low physical roofs, highballs deserving of route status and just about everything in between.