Pennine Lines w/c 11 November 2024
One thing I’ve been pondering whilst eating up the motorway miles is the sometimes rather uncomfortable status which eliminate problems occupy in British climbing. This has been brought into focus during visits to some of these iconic old-school venues like The Bowderstone and Dumbarton, not to mention Peak Limestone. Talking to people at various crags it’s clear everyone has a different take on eliminates, ranging from leaning very heavily into them, to completely denouncing them. Climbing is supposed to be about taking the line of least resistance to the top, anything else is just stupid, right? While I recognise this is a topic which warrants a more detailed dive than I will offer up here today, I’ll offer up a few points for consideration.
Pennine Lines w/c 4 November 2024
It doesn’t matter if you’ve done everything before, there’s always sport to be had, always a traverse or a variation to be enjoyed, the almost-lost-art of playfulness and creativity still rules here. On a quick hit on a marginal day everything is a bonus, there’s no such thing as wasted time. Everything is a win - at least you didn’t give up and go indoors.
Pennine Lines w/c 21 October 2024
The quarries at Rivelin particular are one of those venues where nobody can ever come up with a good reason why the place is never that popular, unjustifiably so, given it’s potentially a reliable winter option when stuff is clean. Hence it tends to get periodically rediscovered by a new generation every few years. Those around in the 2000s will fondly remember a few routes appearing in Dan Honeyman’s films, and it’s been the scene of several brief but frenzied renaissances since then. At some point a critical mass must be reached and it obtains sustained traffic, surely? It can’t be far off. Right now there’s lot of brambles and undergrowth to negotiate but also some outstanding rock architecture. For the bold trad devotees there’s plenty to go at, but even if you’re ‘only’ bouldering there’s a few classics to check out - most obviously the problems around Happy Campus / No Class, the ‘popular end’ of the crag. But it’s worth picking your left leftwards along through the various quarried bays and eyeballing some of the blank slabs and walls.
Pennine Lines w/c 14 October 2024
As I have mentioned in previous emails and on Instagram, I am excited to be able to unveil this one to you, the loyal subscribers to my weekly email. This is a calendar of my Peak landscape images from what I think of as my neck of the woods - the eastern gritstone edges and the central limestone. It's an area close to my heart and I know it’s a special place for a lot of you too, so I hope this collection of images does the place justice but also drops in a few surprises for you. The final selection of images will stay under wraps until the calendars ship, but what I can say is none of these images have been available for sale before in any form, and all twelve images for this are shot on 5x4” transparency film. This is something I mention a lot, so for the non-photographers out there who might not be down with the terminology, what exactly does this exactly mean?
Pennine Lines w/c 30 September 2024
This is actually potentially one of the strengths of climbing in particular - alongside photography, which is often overlooked. Once the pads are down under the project, or once the clips are in, or the tripod is up waiting for some fleeting light, you’ve got time to look around, hear the sounds, watch the weather pass, see the light change, feel the breeze blowing. You don’t necessarily get this with all outdoor pursuits, as you’re often moving from place to place. I can think of a few where you don’t, but the more mainstream stuff like walking, running, mountain biking, skiing you tend to be on the move. Again, this is not ‘wrong’, and as someone who’s climbed at Sean’s Roof recently I concede that not all places reward efforts to sit and quietly contemplate, but often climbing can give you space to find a subtley different way of experiencing a place.
Pennine Lines w/c 4 March 2024
One of the things that’s always drawn me to photography, specifically British landscape photography, is the alchemy of creating something out of apparently nothing. Or to put it another way, how it’s possible to craft a composition which allows you to find some sort of beauty out of a scene or location that you might otherwise walk right past without giving it another thought. Any idiot can take a passable photo of an epic location in amazing light, but the greater challenge is in creating order within the frame from the chaos of the world around us, to allow it to be understood and appreciated.
Pennine Lines w/c 26 February 2024
Because of course if there’s a problem with sunrises it’s that they aren’t very user friendly. This is not like getting your kicks from on-demand streaming, there’s not an app to hook you up with a willing local sunrise any time of day or night. They’re too early most of the year, and when they’re not that early they’re freezing cold and hence in direct competition with a warm bed. Putting a thick quilt on a comfy bed is like taking voluntary redundancy from winter sunrise photography. Gotta sleep shivering under a thin sheet with an achingly full bladder really to force yourself to get up. Monumental levels of motivation are often required. Not all heroes wear capes etc.