Pennine Lines w/c 21 October 2024
PLWeeklyEmail Dave Parry PLWeeklyEmail Dave Parry

Pennine Lines w/c 21 October 2024

The quarries at Rivelin particular are one of those venues where nobody can ever come up with a good reason why the place is never that popular, unjustifiably so, given it’s potentially a reliable winter option when stuff is clean. Hence it tends to get periodically rediscovered by a new generation every few years. Those around in the 2000s will fondly remember a few routes appearing in Dan Honeyman’s films, and it’s been the scene of several brief but frenzied renaissances since then. At some point a critical mass must be reached and it obtains sustained traffic, surely? It can’t be far off. Right now there’s lot of brambles and undergrowth to negotiate but also some outstanding rock architecture. For the bold trad devotees there’s plenty to go at, but even if you’re ‘only’ bouldering there’s a few classics to check out - most obviously the problems around Happy Campus / No Class, the ‘popular end’ of the crag. But it’s worth picking your left leftwards along through the various quarried bays and eyeballing some of the blank slabs and walls.

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Pennine Lines w/c 14 October 2024
PLWeeklyEmail Dave Parry PLWeeklyEmail Dave Parry

Pennine Lines w/c 14 October 2024

As I have mentioned in previous emails and on Instagram, I am excited to be able to unveil this one to you, the loyal subscribers to my weekly email. This is a calendar of my Peak landscape images from what I think of as my neck of the woods - the eastern gritstone edges and the central limestone. It's an area close to my heart and I know it’s a special place for a lot of you too, so I hope this collection of images does the place justice but also drops in a few surprises for you. The final selection of images will stay under wraps until the calendars ship, but what I can say is none of these images have been available for sale before in any form, and all twelve images for this are shot on 5x4” transparency film. This is something I mention a lot, so for the non-photographers out there who might not be down with the terminology, what exactly does this exactly mean?

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