Pennine Lines w/c 27 May 2024
Why am I plugging this, you may well ask? Well yours truly here will be running climbing photography workshops throughout the day. We’ll look at some technical skills, thought processes and problem solving, lighting and composition, with plenty of hands-on shooting too. If you’ve got an interest in photography but never really managed to make it ‘click’ (pun intended) with climbing, or you’re new to climbing and naturally want to take nice photos of climbing, or just want to raise your climbing photography game a little, this this is for you. Spaces for each session are limited - no passengers - so don’t forget to book. I’ll also have some signed copies of Grit Blocs on sale on the day too, so get involved.
Pennine Lines w/c 20 May 2024
It’s jarring to hear Honnold’s name bandied around at Rubicon especially. You or I would not expect the arching walls of finger-wrecking crimps and glazed footholds, all held in place with industrial epoxies, to really be up Honn Solo’s straße, but soloing speaks to everyone at an elemental level so all such contextual considerations of genre go out of the window. Or maybe the passing walkers are much more knowledgeable on Peak climbing trivia than I give them credit for and are in fact referencing Quentin Fisher’s famous attempts to solo Caviar back in the day? I guess we’ll never know. One thing is clear though; soloing is a great leveller and captures the imagination of climbers and non-climbers in a similar sort of way.
Pennine Lines w/c 13 May 2024
The short-lived aurora craze does provide a neat segue into a short paragraph about Great Roova up at the north end of the Yorkshire gritstone area. This is the home of the problem Aurora, as featured in Grit Blocs, a book that I wrote and may have mentioned once or twice before. As I am always keen to point out Grit Blocs makes no claim to list the 100 best problems, rather than 100 of the best problems, a rather woolier definition. This is no accident, because it can be leveraged to showcase a few out-of-the-way crags as much as for the problems themselves. Certain crags, certain venues, are more about this-hold-then-this-hold-then-this-hold-then-top. It’s about going somewhere new, putting the extra effort in, and dare I say it, forgetting about the grades and just letting the rock dictate the experience. You’ll note it’s not called Reasonable Roova, or Above Average Roova. Aurora is a great problem worthy of the long walk-in, but having a memorable warm breezy afternoon up at Great Roova, just moving on rock, exploring a bit and getting away from the same old crags is what it’s about really.
Pennine Lines w/c 6 May 2024
I’m sure much will be written about Shauna Coxsey’s ascent of The Boss in due course, but for the minute I’ll just point out that I know Shauna had already climbed Font 8b+ as long ago as ten years since, so it’s easy to forget that the ascent pushes the rarefied heights of female gritstone standards forward several grades. Even if by some clerical error The Boss went into a guide at Font 8a+ instead of 8b+ it’d still be the hardest female ascent on gritstone (if anyone knows of any harder-than-8a female ascents on grit let me know). Such leaps are very uncommon, if not unheard of, as climbing and training for climbing matures and the talent pool expands. It may be that the sit-start to Voyager might well turn out to be 8c after holds have broken - who knows - but since there’s nothing currently harder on grit (at least on paper) it puts the top end of female ascents right up there at the top of male grit standards, and I’m not sure that’s ever been the case before, certainly not in living memory.
Pennine Lines w/c 29 april 2024
Being asked for your favourites is actually a tough choice, because there’s just so much good stuff out there on grit. It’s not like being asked for, say, your favourite Bond films. That’s easy because there’s only twenty five official options, and realistically only half a dozen credible answers, not least because you can disregard all the Roger Moor outings and that final Pierce Brosnan one with the invisible car that everyone hates without a second thought. Basically everyone is going to answer Casino Royale, easy. But gritstone is more expansive than the Bond universe. It’s a bewildering complex and interconnected web of characters, themes, styles, history and mythology. So being asked to pick favourite grit problems is actually like being asked what your favourite Wu-Tang Clan (or Wu-affiliated) albums are.
Pennine Lines w/c 22 april 2024
Cool grit conditions are still around for bouldering, it’s comfortable enough for trad, and even after a dreadful winter the Peak limestone is starting to dry up again, slowly but surely. Humidity is rock bottom, the sun burns through with remarkable heat and clarity, casting cool shadows, overnight temps are still low, the the days are long enough. People are out clipping bolts, placing gear, the flowers and wild garlic are out in the limestone dales, the birds are singing, and you can stride confidently off-piste at grit crags not yet blighted by smothering tick-infested bracken. Disposable BBQ silly season hasn’t yet arrived, and you can finish your evening session sat atop a gritstone edge, unlace your rock shoes with tired fingers and watch the sun’s disc ebb away behind the horizon without fear of being eaten alive by midges. Good times.
Pennine Lines w/c 15 april 2024
There’s a saying in climbing, attributed to the late Alex Lowe, that the best climber in the world is the one having the most fun. Not to be misconstrued to mean that, at present, Adam Ondra has more fun than the rest of us (could actually be true to be fair…), it sort of distils into a soundbite the idea that the whole point of this bizarre past-time / sport / existential quest [delete as applicable] is to enjoy what you’re doing. Similarly, since the point of being a climber is to go climbing, to climb ideally as much and as often as you can manage, the best crag in the world is the one only ten minutes away.
Pennine Lines w/c 8 april 2024
Now of course pads are the norm and guidebooks/grades have caught up, so heel-hooks don’t really make headlines these days; even Will Bosi’s live-streamed dalliance with a heel on Burden Of Dreams barely made a ripple. Limited heel-hook skirmishes are still being fought by hardliners on certain problems of course, typically ones that straddled the eras. It’s given rise to phenomena of “crap classics”, like The Green Traverse at Stanage for example. Basically there’s a few old problems out there who’s status - and often grade - is derived from the way they were always climbed in the pre-heel pre-pads days, but aren’t actually that good or even make that much sense when done the easiest way with heels, and it makes little financial sense for any guidebook writer to deprive 1000s of Londoners of their only 7a tick. The Green Traverse, (ignoring the lowball Full Green start) is a lovely flowing set of moves where good clean footwork is essential to keep pressure on the marginal footholds all the way, but if you heel-hook it’s just a sort of awkward inelegant drape. Easiest isn’t necessarily better. Once you’ve done it the old school way you won’t go back. Hand on heart, it’s a nicer sequence without, trust me.
Pennine Lines w/c 1 april 2024
I’m happy to avoid busy places like the plague; it’s quite simply not what I got into climbing for. I stumbled into a busy bookshop in a very rainy Alnwick today and it was so packed I turned around and stood outside in the rain instead, so the thought of turning up to a rammed Isatis or Cuvier makes my stomach turn. In fact it was only by accident I ended up in Llanberis Pass this weekend (long story…) - thankfully to find a good climbing scene despite the constant traffic chaos. But it’s easy for me to say “just don’t go there” having already been to some of these places decades ago. If you’re new to climbing and you’ve read all the guides and the articles and seen all the videos then naturally you’re going to want to go to Sabots, to Raven Tor, or Stanage Plantation, and Easter weekend is the only time you can your mates have got the time off work to go, then that’s when you’re going to have to go.
Pennine Lines w/c 25 March 2024
The other thing I have to get used to recognising at this time of year is the Pennine Lines birthday, being exactly one year since I launched this whole thing. So firstly a huge thanks to everyone who’s signed up for the weekly email and supported this, everyone who’s bought prints, or ordered Grit Blocs, or just mentioned at the crag that they liked something I’d written or messaged me to that effect. It means a lot to me, and as long as people are supporting this I’ll keep doing it - as anyone who’s climbed with me on Remergence buttress will testify I am nothing if not consistent.
Pennine Lines w/c 18 March 2024
Gorple in particular is somewhere that I don’t really have a specific reason to go back to, other than it just having a lovely feel about it, and I suppose that’s enough. Not everything in climbing needs to be project oriented, it’s good to put some time aside for the experience. Wild yet domesticated, a long but easy walk, quiet but with a reservoir and a huge shooting cabin right in front of the crag, Gorple is one of those greater-than-the-sum-of-its-parts places. It also challenges the often-cited Yorkshire grit stereotype of everything being basic on positive holds, a cliche I think that if it does hold true then its only really applicable to the Wharfedale band of grit (Earl, Ilkey, Caley etc). That wisdom is certainly flipped on its head around the Widdop area, with the grit up at the likes of Gorple, Scout Hut and Clattering Stones really being that archetypal moorland grit with more rounded shapes. The Grit Blocs pick from these parts, Chabal, typifies the weird full-bodied sloper wrestling but there’s plenty more where this came from across the grade spread.
Pennine Lines w/c 11 March 2024
You might expect that, mirroring the recent vinyl boom, print guides might be on for a comeback? As climbing is reaching commercial maturity there are no shortage of brands keen to flog you all manner of high-margin must-haves in an increasingly crowded market; bluetooth recruitment gauges, capybara-hair brushes, anatomical leggings, any number of Japanese artisan chalk formulations blessed by a Shinto priest (absolutely not all from the same quarry in China), even plant-based performance beverages - thankfully consigning those meat-based energy drinks like Bovril Sport to the history books. But yet brands notably aren’t falling over each other to produce beautifully designed, lovingly and painstakingly researched grassroots definitive guidebooks.
Pennine Lines w/c 4 March 2024
One of the things that’s always drawn me to photography, specifically British landscape photography, is the alchemy of creating something out of apparently nothing. Or to put it another way, how it’s possible to craft a composition which allows you to find some sort of beauty out of a scene or location that you might otherwise walk right past without giving it another thought. Any idiot can take a passable photo of an epic location in amazing light, but the greater challenge is in creating order within the frame from the chaos of the world around us, to allow it to be understood and appreciated.
Pennine Lines w/c 26 February 2024
Because of course if there’s a problem with sunrises it’s that they aren’t very user friendly. This is not like getting your kicks from on-demand streaming, there’s not an app to hook you up with a willing local sunrise any time of day or night. They’re too early most of the year, and when they’re not that early they’re freezing cold and hence in direct competition with a warm bed. Putting a thick quilt on a comfy bed is like taking voluntary redundancy from winter sunrise photography. Gotta sleep shivering under a thin sheet with an achingly full bladder really to force yourself to get up. Monumental levels of motivation are often required. Not all heroes wear capes etc.
Pennine Lines w/c 19 February 2024
So, if everyone’s been climbing here all the time anyway, then it’s just business as usual - why does gaining official access recognition matter, you may well ask? I suppose it matters precisely BECAUSE it’s business as usual; i.e. it demonstrates that it should be an easy sell. For land management bodies it’s then not really a leap into the unknown. It’s been said time and time again by access campaigners that you’re usually better off pushing for official access from a position of sustained and trouble free usage already (railway issue notwithstanding). As the saying goes it's easier to ask for forgiveness then for permission.
Pennine Lines w/c 12 February 2024
Facing away from the afternoon sun, with boulders lurking among the twisted boughs of the trees, slow to dry but offering welcome shelter from strong westerlies in winter, with a few tall crag-based lines looming above the boulders, on the right day it’s a great spot to find a bit of peace. This part of the South Peak didn’t find its way onto the cover of Grit Blocs by accident.
Pennine Lines w/c 5 February 2024
The bouldering is probably due a renaissance that will never happen, as it too is sort of unfashionable by today’s trends. There’s a lot of traverses, and a lot of holds which whilst not being that small per se, or sharp, are somehow just too crimpy or over-positive for comfort. Doing your comp-style problems down the wall isn’t really going to prepare you for this. Neither is all the board sessions on smooth lovingly crafted pinches. You’ve got to get into the pure filth, with a lot holds comprising various fingertip-bruising lumps you have to muller your hands into violently. Kudos wall in particular is one of those places you need to burn two or three sessions here just to deaden your finger pulp before you’re going to get anywhere. I suppose most people aren’t keen to make that sort of investment of time into it. The same goes for the hard routes - Zeke, Caviar, Dangerous Brothers, Tribes, The Sissy, even Salar and To Old To Be Bold can feel like feel like finger ruiners.
Pennine Lines w/c 29 January 2024
The S7 mat covered an area of ground about the size of the phone you’re reading this on, hence the yellow target on the mat was a fortuitous addition. When you stared down between your shaking legs you at least had something to aim for, no matter how statistically slim your odds of hitting it were. You were aiming for the bull but considered yourself a winner if the dart even stuck in that sort of cabinet thing with the doors that you hang a dartboard in. Bounce-outs were common. The set of on-the-fly calculations and seat-of-pants dead reckoning required to land was on a par with the successful return of Apollo 13. Nevertheless, it totally changed the world for us, as it was already starting to change climbing over the next decade.
Pennine Lines w/c 22 January 2024
Some words in the climbing world are so loaded with history and expectations that it’s impossible to actually assess the place objectively. Words that carry a lot of baggage one way or another. Just saying “Plantation” will elicit a response of some sort. It might spark memories of feeling like a hero cruising confidently on some airy line or other above a sea of onlookers, or finally solving the critical position and landing the top hold on your project as the winter sun sneaks out from behind a cloud. Or backing off Crescent Arête with trust in your footwork in tatters. An ankle-wrecking fall from high up on something, feet rapidly peddling an invisible bike down some tall arête, with the rest of your climbing year flashing before your eyes perhaps. Yep, the highs are high, and the lows are low at the Plantation. The soaring bulletproof arêtes, and the sandy battered orange holds and snappy flakes. Or maybe you’ve never been, so it’s a crag of the imagination yet to be experienced, which you’ve avoided because you’ve heard it’s always rammed.
Pennine Lines w/c 15 January 2024
With the Millstone arête, I’ve not been on it, and you probably haven’t either, so we don’t really know. And to be honest, maybe it’s fine that certain things remain unclimbed. Sometimes these lines have as much value in their status as tantalising possibilities than they do as realised routes. They are nobodies route, nobody has their name on it in a guide, but simultaneously they belong to everyone. A great leveller. Maybe it HAS been climbed and whoever it was just didn’t tell anyone, now there’s a thought. Unclimbed lines leave possibilities open in the imagination, and these days climbing is so well documented, classified, instagrammed, videoed and photographed (guilty!) that sometimes there’s little space left for the imagined.